Scopes For Beginners: Parallax Adjustment

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Many shooters will never nail a sub-MOA group due not to a lack of skill or a questionable rifle, but to misunderstanding a scope‘s parallax adjustment and what it’s for. Hint: it ain’t “side focus.” Not really.

For scopes with adjustable parallax — which is going to be the majority of them with magnification over, oh, 8X or so — the first thing to know is to ignore the yardage markings on the parallax adjustment dial. On the vast majority of optics, even the high-end models, it simply isn’t accurate. Instead, you’ll want to determine the correct adjustments yourself via the method we’ll get to below.

Shout out: the parallax adjust on my SIG TANGO6 5-30x is one of the few that I’ve found to be dead-nuts accurate. As its little brother, the previously-reviewed TANGO6 3-18x (which I traded towards the 5-30x) was also perfect, I don’t think I simply got a ringer.

First, a step back . . .

What does parallax adjustment actually achieve? What is it for?

The — and I mean THE — purpose of a riflescope’s parallax adjustment is to put the reticle on the same focal plane as the target. The result of doing this correctly is that, should your eye move around in relation to the scope, the reticle doesn’t move around on the target.

While I understood the result and why it’s important, I didn’t truly understand the “same focal plane” thing (I didn’t even bother to understand the “how it works,” honestly) until Ladd Hall provided a wonderfully clear visual demonstration for me at Mill Creek Shooting Resort . . .

Look across the room you’re in and pick a small target. Yes, right now. Could be 10 feet away could be 50; doesn’t matter. Now stick your thumb up like you’re hitchhiking, close your non-dominant eye, and put that thumb right on target. Keeping your thumb dead still, move your head around a little. Your “reticle” (thumb) walks all freakin’ over the target.

Now, either get a helper or just imagine that somebody goes and physically places their thumb on your target. Move your head around as much as you’d like, and your “reticle” stays dead-on still, right on the bullseye.

The difference is focal plane. In the first scenario, your thumb is on a focal plane a few feet in front of your eye, while the target is on another plane farther afield. In the second scenario, the thumb is on the same focal plane as the target. Changing the angle between your eye and the target doesn’t move the reticle on the target, because they’re in the same place and the angle to both of them is always the same.

If you have an absolutely perfect cheek weld and place your eye in exactly the same location behind the scope on every single shot from every single firing position, you don’t need to worry about getting your parallax adjustment correct. Then again, you don’t actually exist. For the rest of us…all of us:

Adjusting For Parallax

Look through the scope and place the crosshair on a nice, small bullseye. With the rifle remaining as still as physically possible — ideally it’s on a rest or bipod setup of some sort — move your eye around without leaving the exit pupil (the image doesn’t disappear). Does the crosshair stay on the bull, or does it wander around? If it wanders, you need to adjust the parallax dial until it doesn’t.

This might be on the matching yardage mark on your scope’s parallax adjustment, but it probably won’t be. This might put the image in perfect focus, but it very well may not. Maybe the most common mistake shooters make is simply dialing to the mark on the parallax dial. Second most common: using it as a “side focus” and dialing until the image is as clear as possible.

The bottom line is that it doesn’t matter if the image is perfectly clear. It just has to be clear enough to identify the center of your bullseye. Zero parallax error comes first. If zero parallax and a clear-enough image don’t overlap, you have a faulty scope. Additionally, it absolutely doesn’t matter if your target is at 100 yards and you ended up parallax-free on your scope’s dial at the 70-yard or 135-yard mark. As long as there’s a way to dial out parallax at the distances you shoot at, you’re good.

Indeed, parallax needs to be adjusted every time the distance to your target changes. Leaving it adjusted for 100 yards and then engaging at 500 yards may result in a couple minutes of parallax error in the reticle. Forgetting to turn that parallax dial is a big mistake.

In The Field

While adjusting your scope’s parallax setting for every distance sounds slow and cumbersome, it’s something you should only have to do once at various distances. Basically, keep notes on paper or in your head. Once you know that a specific scope’s parallax adjustment dial should be at the 75-yard mark for a 100-yard target, 200-yard mark for a 200-yard target, 460-yard mark for a 400-yard target, infinity mark for anything beyond 500 yards, etc. etc., you shouldn’t have to do the head-wiggling test again.

But if you want to get the most accuracy out of your rifle, don’t avoid the head wiggle. Don’t avoid the effort needed to tinker with that dial until your parallax error is truly gone.

Dialing in “side focus” could leave you with a reticle that walks an inch off the bull due to moving your eye just a few millimeters in any direction behind the scope. Shot-to-shot, you could be doing everything absolutely perfectly behind a quarter-MOA-capable gun and never beat a one-minute group.

Parallax Error

Now that we know what parallax error is and what causes it, we know how important it is to adjust for it. Take the time, look a little silly wiggling your head around behind the scope, and correctly dial out your parallax error. Your groups will thank you for it.

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  1. before parallax i only cursed and barked. i’ve recently started clicking as well.
    must’ve been that third tourette’s knob.

  2. Something worth mentioning is that from what I understand that most hunting scopes are a fixed parallax at 150ish yards.

    Also an amusing side note is that instrumentation (analog meters) can have this effect as well so if you’re not looking at them straight on the needle can “shift.”

    • High quality instruments, such as top quality multimeters, will have a small mirrored strip behind the needle alongside the scale. If you can see the reflection of the needle, you’re looking at an angle. Line it up so the reflection disappears behind the needle, and you’re looking straight on, no parallax, and the needle shows the correct instrument reading.

      • Very good!

        Also amusing to note that Simpson 260s didn’t have such a strip for literally decades until the Series 7.

        • Guys:
          I haven’t seen a Simpson 260, since Fido was a pup. Get yourself a Fluke, and you’ll never have to worry about parallax again.

  3. According to a ZCO rep I talked to, the parallax adjustment for a given distance can change with atmospheric conditions. The angle of refraction is proportional to the ratio of the two mediums’ densities, so if the air density changes, the light will shift in the scope.
    Before a practice session or match, I ensure my eye is on the scope axis, by dialing in some scope shadow, distributing it evenly around the edge, and adjusting my cheek riser for that position. That way I can shoot a stage with targets at various distances, with a single parallax setting.

    • “…ensure my eye is on the scope axis…”

      That was poor man’s parallax control, decades ago when such features often rendered scope prices out of reach for the average country boy. And it worked just fine if you were patient. I’m glad to see how much technology has improved, and brought that kind of quality down to where the average Joe can swing it without having to sell one of his kids.

    • Thats how my dad taught me to shoot when I was 10 years old. Keep that shadow even and you don’t need to think about parallax. Of course I didn’t know the why at the time,so that just how I did it every single shot. Didn’t take long to just be like muscle memory, its instant.

  4. Nice article. I always thought that the distance numbers, focus, and parallax would all line up properly.

    I’ve got an inexpensive rifle red-dot that does not have great parallax. So I always try to center the dot in the glass. (I bothers me that reviewers never talk about red-dot parallax. Some may actually be parallax free, but many are not.)

    I thought of JasonM’s trick. Center the scope shadow. Might work, but I can’t verify.

  5. Thanks for helping me understand that one does not need a parallax adjustment if you could position your cheek and eye in the same location needed. I guess my husband needs to know about this before getting gun optics accessories for himself this year. It will help him decide what he actually needs now that he wanted to try a new hobby regarding hunting with his friends.

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  7. Please assist. I get it that you need to adjust parallax with different distances, but what about different magnification settings? When I get my paralax settimg at 100 yards wont the paralax setting need to be changed at 100 yard if I move from 5x magnification to 24x magnification?


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