Previous Post
Next Post


[ED: We first published Joe’s excellent article on the partnership between John Moses Browning and FN back in 2015. It’s well worth running again for those who may have missed it.]

Mention the name “John Moses Browning” to knowledgeable American gun owners and their usual reaction is profound respect and great appreciation. This is for good reason: though he died over 90 years ago, John Browning either created or influenced the design of many of the most iconic pistols, lever-action rifles, semi-automatic shotguns, and machine guns in use today.

The guns most often associated with John M. Browning are the famed Winchester lever-action guns that “won the west,” the ubiquitous Colt 1911 automatic pistol, and U.S. military machine guns such as the celebrated .50 caliber M2 “Ma Deuce,” the .30 caliber M1919 medium machine gun, and the .30 caliber M1918 BAR automatic rifle.

Indeed, with regard to the latter machine guns, every American owes Mr. Browning a huge debt of gratitude, since it was Browning’s firearms designs that helped carry the American military to victory in two World Wars and Korea. So great are his contributions to the security of this nation, that John Moses Browning undoubtedly deserves his own Mt. Rushmore or at least a memorial in Washington, DC.

Despite his considerable fame and recognition, there is another facet of Browning’s life that is less well-known to American gun owners, yet critically important. That story involves Mr. Browning’s intricate and prolific relationship with an upstart Belgian arms factory now known as Fabrique Nationale Herstal (a.k.a. “FN Herstal” or simply “FN”).

The partnership between Mr. Browning and FN began in 1897 and has continued long past Browning’s death in 1926 to today. That partnership has had profound impacts for both FN and Mr. Browning, influencing firearms history for years to come.

For its part, FN would make John Browning’s gun designs come to life on both American shores and abroad. Conversely, those same designs secured FN’s future as a manufacturer and positioned the company as a major player in the military small arms market, ensuring immortality for Mr. Browning’s vision.

It’s not overstating matters to say that together, FN and John Browning shaped the course of development of modern small arms in ways that are still being manifested in today’s gun designs.

Pic 2

The Browning/FN story began in 1886 in the blue-collar industrial town of Herstal, Belgium, a suburb of Liege. Located in the Meuse Valley, the Liege region had long been one of the world’s premier arms making centers.

The region was rich in coal, iron, and water, all essential to the manufacture of small arms. The political and economic climate of the time ensured the arms industry enjoyed an unprecedented period of economic prosperity. As foreign nations began to ramp up their orders, they began demanding shorter and shorter delivery terms.

To remain competitive against German factories like the Loewe group and the Mauser and Steyr Waffenwerke, several firms in the region set up a joint association called Les Fabricants d’Armes Reunis. This organization was to pave the way for the creation of Fabrique Nationale d’Armes de Guerre.

In 1887, the Belgian government wanted to replace 150,000 of its military regulation rifles and decided not to buy them abroad. This piqued the interest of Les Fabricants d’Armes Reunis and they began exploring how to set up an arms factory large enough to meet this production requirement. This would require tremendous resources. So they set out to lobby their three competitors to see if they would be willing to join forces.

They did, and after much negotiation, 12 firms – including those that were part of Les Fabricants d’Armes Reunis – banded together to form Fabrique Nationale D’Armes de Guerre (“National Factory for Arms of War”). Freshly infused with capital, FN built their state-of-the-art production facility in Herstal and inked the deal with the Belgian government to produce 150,000 Mauser rifles for 79 francs per gun.

Pic 3

FN cranked out that initial order of Mausers in a mere five years. Other orders from foreign governments and for ammunition followed. FN’s success did not thrill the Waffenfabrik Mauser, who in 1894, sued FN over patent infringement of its Spanish Mauser model. After protracted litigation, FN lost and forfeited the patent. As a result, several directors resigned and Ludwig Loewe and Co. became the majority shareholder of FN.

Thus began a new era of German control in FN’s history, which was technologically and financially beneficial to a degree. Unfortunately, Loewe also redirected military small contracts away from Liege to its German factories in Berlin and Oberndorf, as well as to Steyr. These restrictions forced FN to seek ways to keep its Liege factory alive. Soon, they were building other products such as automobiles, motorcycles, bicycles and sporting arms.

The first product the Liege factory considered was the bicycle and in May 1898, the company invented and began production of the “FN chainless.” As part of that diversification effort, FN sent an American-born employee named Hart O. Berg to the United States to learn about innovations made in the manufacturing of bicycles. Berg was a native of Hartford, Connecticut, which coincidentally was the home of the Colt factory.

Whether by happenstance or by design, Berg met John M. Browning in Hartford, who was in town making one of his regular visits to Colt. Berg wasted no time in explaining to Browning that FN had a huge underutilized state-of-the-art factory along with an employee base of highly skilled gunsmiths and artisans. He further explained that two things that FN lacked were an in-house marquis designer (hint-hint) and some blueprints for the next generation of firearms.

Pic 4

As it turned out, John Browning’s situation was complimentary to FN’s plight. Browning was a prolific gun designer with a myriad of patents and an endless stream of ideas. But Browning didn’t have a modern factory staffed with machinists and gunsmiths capable of turning his visions into reality. Certainly, he could – and did – sell his designs to Winchester and Colt, among others, but there was never that perfect seamless inventor-manufacturer partnership he had always sought.

One primary problem: the American firms would buy Browning’s patents in large part to keep other firms from getting them. To compound matters, Winchester and Colt had worked out a deal not to step on each other’s turf: Winchester would make rifles and Colt would focus on pistols. As a result, Browning needed a factory to build his semi-automatic pistol designs: although Colt had bought rights for U.S. production to some of Browning’s previous pistol designs on a royalty basis, Colt had opted not to put them into production.

With the potential for a match seemingly made in heaven, Messrs. Browning and Berg struck up a friendship. As Browning would later recount, his first thought was, “Think of it – a new gun factory with nothing to make!” He told his brother Matthew, “I’ll give them something that will set their wheels in motion.” Indeed, Berg returned to Belgium in June of 1897 with a prototype of a small .32 ACP (7.65x17mm) caliber automatic pistol (the future FN Browning Model 1899).

Pic 5
Joe Grine for TTAG

FN tested the prototype, and was pleasantly surprised to find the little pistol could fire 500 rounds without a single malfunction. This feat was unprecedented for that time. FN was quick to spot a good thing, and immediately signed a production contract on July 17, 1897.

Pic 6

The Model 1899, known as the “Pistolete Browning,” would be the first handgun ever produced by FN. The firm was so anxious to get the rights to the pistol that it agreed to pay Browning a royalty of two Francs per gun on top of the initial payment of $2,000. The royalty represented 7% of the retail price of the pistol, which was 30 Francs. Browning had never before received royalties from Winchester or Colt, and therefore, this new arrangement with FN met with Browning’s enthusiastic approval.

The diminutive Model 1899 and its upgraded version, the Model 1900, would make John Browning a very wealthy man. Indeed, FN sold the Browning 1900 like proverbial hotcakes (or Belgian waffles?), and “Browning” became a household name in Europe.

Total production numbers for the Model 1899 was around 10,900, while FN produced 724,550 units of the Model 1900. For their part, the citizens of Herstal viewed Monsieur Browning as a kind of savior, because the factory making his pistol brought their city some measure of prosperity, and a newfound sense of hope.

Pic 7

Still, FN had not yet earned first position in Mr. Browning’s rolodex. That would change in 1902, however. Three years prior, in March of 1899, Browning had finally worked out the bugs of one his most challenging designs: the “Auto-5” shotgun. At the time, Winchester was John Browning’s preferred factory for long guns. So when it came time to sell his design for the Auto-5, Browning gave Winchester first dibs.

John Browning was largely responsible for Winchester having a near-monopoly on the sporting rifle market in the United States, so one might assume that Winchester President Thomas G. Bennett would have treated Browning like the star he was. But Bennett was too proud for that. He resented that he had to pay Browning the equivalent of hush money for his patents, even though Winchester had no intention of producing many of the designs. So Bennett sat on the new shotgun design for three years.

By January of 1902, John Browning had had enough of that nonsense. Browning showed up at New Haven intent on telling Bennett to either purchase the Auto-5 design or release it to be sold to another gunmaker.

The meeting between Browning and T.G. Bennett lasted about five tense minutes. Needless to say, both men were in a tough spot. The Auto-5 shotgun, innovative as it was, was unproven, and it was unclear how the public would receive it. Furthermore, even if it was a success, it would cut into the sales of the Winchester Model 1897. Finally, Winchester never paid royalties to anybody, and to break that tradition would set bad precedent. Bennett thought he had to draw a line in the sand on royalties.

That was a big mistake. Browning grabbed his prototypes and left, never to return to New Haven.

John Browning’s next stop was Ilion, New York. On January 8, 1902, Browning called Remington’s president Marcellus Hartley. Hartley agreed to see him later that afternoon. Unfortunately, Mr. Hartley died of a heart attack minutes before their meeting. The matter had been decided: FN would get the next crack at producing the Auto-5 shotgun.

Pic 8
Joe Grine for TTAG
Pic 9
Joe Grine for TTAG

Mr. Browning showed up in Herstal unannounced. It was a cold, rainy February day, and Browning hoped that the weather was not a harbinger of what was ahead. Fortunately, his concerns proved unfounded.

The FN executives welcomed Mr. Browning with open arms. After all, Browning was largely responsible for the factory’s production lines being busy profitable. In fact, Mr. Browning was completely unaware of the degree to which his little .32 ACP pistol, the Model 1899, had transformed FN’s fortunes.

Having excellent engineering backgrounds, FN executives immediately saw the genius in the Auto-5’s design that Winchester had apparently missed. Within a month, John Browning had a royalty contract, and FN owned the worldwide manufacturing and distribution rights to the Auto-5. FN also had their first customer for the Auto-5: John Browning ordered 10,000 Auto-5 shotguns for the American market, and even left a deposit for their manufacture.

Pic 10
Joe Grine for TTAG

Browning spent three months in Herstal during the spring of 1902 supervising the initial pilot production of Auto-5 shotguns. He immersed himself in the culture and language of the Belgian people; by the time he left Herstal, he knew the French names for all of the shotgun and pistol parts.

He became well-known and well-loved in Herstal. His quiet, unassuming nature could be mistaken for shyness, but his ability to connect with people was uncanny. As was his respect for the workers and artisans at the factory. A combination of translators and pantomime made up for the language barrier, and the inventor was able to effectively convey the Browning ethos to the FN gunsmiths.

In both the factory and the community, he was soon known as “Le Maître,” French for “The Master.” To this day, in much of the Francophone world the term “Browning” is synonymous with “pistol,” like “Xerox” became synonymous for a “photocopy”.

So great was FN’s admiration for John Moses Browning, that in 1904, it released a portion of its worldwide exclusive rights to the Auto-5 shotgun. Freed from his contract restriction, Browning sold the U.S. manufacturing and distribution rights to Remington, which began production of the Model 11 in 1905. The Model 11, a slightly modified version of the Auto-5, would become a major seller for Big Green, with roughly 840,000 united sold, including a military contract during WWII.

For FN, the loss of the U.S. market for the Auto-5 was far eclipsed by their genuine desire to please Mr. Browning. The Belgians’ loyalty would be rewarded in 1907, when Browning granted FN the exclusive right to use his name as a trademark.

The practical effect of this contract was far-reaching: no other company would be allowed to associate their guns with the famed Browning name. Moreover, Browning continued to furnish FN some of the most successful and iconic small arms designs the world has ever seen, including:

  • FN Browning Model 1903 Military Semi Auto, 9mm Browning Long (9 x 20mm)
  • FN Browning Model 1905/06 Vest Pocket (.25 ACP)
  • FN Browning Model 1910/1922 (.32 ACP, .380 ACP)
  • FN Grand Browning (same as Colt Model 1911, .45 ACP)
  • FN Browning B25 Superposed Over/Under Shotgun
  • 2 prototype 9mms which would become the M1935 Browning Hi-Power
  • Browning SA-22, 22LR autoloading takedown rifle.

Each of these models would be produced in large numbers, which some exceeding the one million mark. In fact, the first of John Browning’s pistols to reach sales of one million was the diminutive “Vest Pocket” .25 ACP, model, the Model 1905/06, which reached this key remarkable milestone after only seven years in production.

Pic 11
Joe Grine for TTAG

Other less successful models included the following:

  • Browning Trombone .22LR rifle
  • FN Model 1900 .35 caliber rifle (same as Remington Model 8)
Pic 12
Joe Grine for TTAG

But the commercial failures were few and far between. In fact, FN firearms quickly became recognized the world over for their innovativeness, reliability, and craftsmanship.

Pic 13
Joe Grine for TTAG

World War I, however, created a new set of challenges and setbacks for FN. A Serbian nationalist named Gavrilo Princip started the events that led to the war when he murdered Austro-Hungarian Archduke Franz Ferdinand. (Ironically, the assassin used a 1913 production FN 1910 pistol chambered in .380 Auto.). Germany soon invaded Belgium; the FN factory was occupied by the Bosch and taken out of production for four years.

Pic 14
Joe Grine for TTAG
Pic 15
Joe Grine for TTAG

John M. Browning, on the other hand, would enter into a renaissance period back in the United States during the war years. He devoted virtually all of his free time to the patriotic duty of designing weapons of war.

His iconic designs would be used to great effect by U.S. troops for generations to come: the M2 .50 caliber “Ma Deuce” heavy machine gun, the M1918 Browning Automatic Rifle (“BAR”), the M1919 medium machine gun, and a prototype 37mm anti-aircraft cannon. John M. Browning would be paid only a small fee for these designs, but he understood that his nation’s gratitude was payment enough.

After the Great War ended, Browning returned to his true passion: sporting arms. Browning would spend his remaining years designing the iconic B25 Superposed over-under shotgun, the Colt Woodsman .22LR pistol, the .22 trombone rifle, and a pair of 9mm prototype pistols which would become the FN Browning Hi Power. All told, Browning made 61 trips to Herstal in the last 24 years of his life. Given the speed of trans-oceanic travel back in those days, those trips represented years of travel time.

PIC 17
Joe Grine for TTAG

Unfortunately, the last voyage proved to be a one-way trip. John Browning became ill while on the factory floor and later died of a heart attack while working at his desk in the FN Herstal factory on November 26, 1926. His son Val Browning was at his side.

John had been complaining of chest pains for several hours and soon became light headed. Lying on a couch in Val Browning’s office, John said to Val: “Son, I wouldn’t be surprised if I am dying.” Minutes later, the old gunsmith passed away, and the world lost the greatest firearms designer it has ever seen.

Pic 18
Joe Grine for TTAG

Despite the immense sadness that overtook the community in Liege, FN would continue on. Indeed, John M. Browning had left FN in a good position to prosper in the years ahead. Perhaps even more importantly than the designs themselves, Mr. Browning’s expertise had helped inspire FN’s next generation of excellent engineers, including, most notably, a gentleman by the name of Dieudonné Joseph Saive (1889–1973).

Pic 19

Monsieur Saive would go on to become FN’s chief weapons designer (Chef de Service), and would produce the Model 1949 (aka FN-49 or SAFN) and the iconic Fusil Automatique Léger (“Light Automatic Rifle”) aka: the FN FAL. He would also perfect the Browning Hi Power and the “Baby Browning” .25 ACP.

As a company, FN would go on to become one of the largest manufacturers of small arms in the world, and would be one of the key firms to arm the free world in the post-World War II years. FN would also buy out Browning USA in 1977, establish a U.S. manufacturing operation in Columbia, SC in 1981 (FN Manufacturing), acquire the license to produce Winchester brand firearms in 1991, and establish FNH USA in 1998.

Today, FN Herstal’s operations in the U.S. consist of Browning North America and FN America, the result of combining FN Manufacturing and FNH USA in 2014. In addition, FN America’s Columbia facility has produced firearms such as the M4 and M4A1 carbines, M16 A2, A3 and A4 rifles, M240 medium machine guns, M249 squad automatic weapons, MK 46 and MK48 light machine guns, MK 20 sniper support rifles, and the MK 19 grenade launchers.

John Moses Browning may be gone, but the legacy of his designs still lives on.

Previous Post
Next Post


  1. Thanks for the repeat article. An excellent, concise history lesson on JMB and FN. Perfect way to end up a Sunday afternoon after returning from the range.

  2. Well worth repeating, this article is filled with facts that should be known by all in the firearms community! A great man who provided both excellence in sporting arms as well as military weapons! Thanks

  3. I started off thinking I’d just skim the first couple of paragraphs (after all, I’ve read *everything* on TTAG since 2011/12). Well, here I am at the bottom, having devoured every word again. Great article about a great man.

  4. I heard that when Germany took over production during the war, the Belgium workers started installing defects in the products that would be sent to the NAZIs and that if you were looking to buy one, you need to check the serial number to make sure it was not on the list of the sabotaged weapons. Can anyone verify or dispute this, please?

    • This definitely did happen (I’ve read about it), and they risked their lives to do it, but for the life of me I can’t remember if it was at FN or somewhere else.

      • EDIT: I’m not sure if there were any follow-on issues in the civilian or collector’s markets…that wasn’t part of what I read. The Nazis were very unhappy about it, though.

  5. A couple of additional details to this fine bit of history:

    – With regard to the A5 design: Winchester’s engineers and draftsmen had helped Browning file patents on the A5 design from one end of that gun to the other. When Browning walked out the door, what Winchester didn’t realize at the time was that Browning also had the legal paperwork to prevent Winchester from shipping a viable semi-auto shotgun for the next ‘n’ years while the patents were valid.

    – When Browning had FN produce the A5 design, it was both revolutionary and a brilliant success with hunters – so much so that it was part of the justification for why magazine restrictions were placed on shotguns in federal wildlife refuges. But that’s another story for another time. The net:net is that the A5 was a big success, and in a few years, Winchester realized that he had been very short-sighted in allowing Browning to walk away with the design.

    – But wait – it got worse for Winchester. Winchester told his engineers to get cracking on a semi-auto shotgun. They told Winchester that they were going to have a hell of a time getting around JMB’s patent package on the A5 – which these engineers, after all, had helped draw up for JMB. Winchester was not to be deterred – so Winchester put out a horrible, unsafe semi-auto shotgun with the model number of 1911. The 1911 didn’t even have a bolt handle with which to cycle the bolt. If you go find a Winchester 1911 shotgun, you’ll see what a truly, epic, roaring POS it is. It was nicknamed “The Widowmaker” because the way you cycled a round into the action was that you pulled the barrel backwards into the action by grabbing a knurled area on the barrel about halfway down the barrel towards the muzzle. Well, that worked if you were a man with a good reach and strong upper body muscles. If you weren’t, then many people chose instead to put the butt of the shotgun on the ground and push the barrel back into the receiver – which ended up pointing the muzzle straight at your chest. Now you understand the nickname “Widowmaker.”

    The Widowmaker was a huge embarrassment for WInchester. Huge. I cannot impress upon folks enough what a roaring POS that shotgun was. Today, you can find them in almost unused condition for a couple hundred bucks. If you buy one, hang it on the wall, and just use it as a conversation piece.

    – The wild success of the A5, coupled with rapidly dwindling game numbers for waterfowl and upland birds, resulted in talk of banning the A5 and other shotguns with more than two rounds ready to fire. It was this talk that got JMB worried about having a shotgun to sell into this legislative environment, and the result was the Browning Superposed – one of the classic O/U shotguns of all time. The Superposed was made by FN clear up into the early 70’s, then they made it a special-order shotgun. The “Liege” O/U shotgun came out to replace the Superposed, but it was nowhere as nice a gun as the Superposed. The Liege was in the Browning catalog for only three years (if my memory serves) and then Browning brought out the Citori, made in Japan of all places.

    – On the subject of FN: FN’s Mausers are, IMO, nicer for conversion to sporting rifles than the German-made Mausers. Better steel, less wartime rush/QC problems, etc.

    Liege is indeed a city with a rich history of small arms and fine guns. There’s much more that could be written about the area.

    ps – BTW, most of those photos are from the Browning Firearms Museum in Ogden, UT. The museum is one of three museums under one roof at the old train station in Ogden. It is highly worth your time to visit if you’re passing through Ogden. One admission price gets you admission to all three museums.

    • A bit of an update on the museums in Ogden. Four museums in their converted Union Station. Ground level is the obligatory train museum, a dandy Western Museum (it is Utah after all), and a tidy Browning-Kimball car museum. Up one flight of stairs to the Browning firearms area. $5.00/adults $4.00/seniors $3.00 youngins, that’s for all four. A great way to spend a good part of your day.

      • Thanks for the update. I keep a list of firearms museums worth visiting for my students and people who ask about such things.

  6. Great article. Knew some of this already, but always good reading interesting information. Used to own a 20 gauge Pidgeon grade Superposed, and a FN FAL and a few Hi-Powers. Still have a Hi-Power I sent through Wayne Novack’s shop. Wish I still had the Superposed and FAL. Hindsight and all that.

    • Had an FAL Heavy Barrel that I sold to a friend in the early 80’s…one of my many moments of rampant dumbassery!

    • Your post gives me an opportunity to preach one of my big table-pounding points (again). Please understand that I’m not calling you out, ridiculing you or questioning your choices at that time. I’m just riffing off your regret…. because I share your regret in some past selling decisions of my own.

      So here’s my point. Imagine a large man pounding a wooden table as he delivers this sermon in a booming revival-tent voice:

      Folks, when you have a quality firearm, do not sell it. Sell the lower-quality firearms in your collection if you need money. You can always buy low-quality firearms again, for as much as you paid for them the first time, if not less in the used market.

      Quality firearms go up in value at, or faster than, the rate of inflation. Quality firearms are becoming increasingly rare in our gun market. A high quality firearm – and the Superposed shotguns – any of them, are quality, but the pigeon grade is a “high quality firearm” – keeps pace with inflation or outstrips inflation. A 20 gauge pigeon grade superposed could be worth $5K and up today. The 28’s and .410’s in pigeon grade can go over $10K today.

      Folks, please hang onto your [high] quality guns. I wish I could gather everyone into a classroom and have a chat about what I mean by “quality,” and why they’re becoming so expensive in the used gun market. The Browning Superposed was/is a quality gun. It isn’t a “best gun” as the term was invented in the UK, but it is a very good quality gun.

      • I’ll even add a bit to that. Use inexpensive guns, and cheap project guns, to trade your way into better guns. I’m sure DG has a more impressive collection than I and I’m certain that he can bring one back from closer to the brink of destruction than I can but I have, over the years, made what I think are some great deals. I.e., I once dropped $50 for an H&R single shot 12 ga, a few hours cleaning it up and making it pretty and I traded it for an H&R .22 revolver, cleaned that up and traded it for a Star model B then traded that for a Winchester model 12 – not sure what that guy was thinking, I certainly got the better end of that deal.

        I realize that if I figure out my effective hourly rate that I might not be doing all that well but the time I spend cleaning, repairing and refinishing inexpensive old beaters is time I would spend tinkering on something anyway so I kinda figure it is a wash. Using the above example, I turned $50 and a couple dozen hours of my time into a mid-century Model 12. I can easily find another bucks down H&R shotty but that Model 12 is the kind of gun that will eventually be passed down.

  7. I now own my dad’s old Model 11 in 16 ga, it’s still a helluva shooter, but I’m nowhere near as good with it as he was.

  8. For those lucky enough to have bought a copy when CDNN was blowing them out for $10, FN made a wonderful “coffee table book” called Ars Mechanica (Mechanical Art) that has all this history with Browning and more. Also the various bicycles, cars, and even tanks Herstal made under the FN name throughout the years. The collaboration with Browning dwarfs everything they have done before or since, and it is clear the company recognizes this and still holds the man in great esteem.

  9. And of course they show Browning with his greatest achievement, the Auto-5! Fantastic gun that came from his partnership with FN. There still isn’t a semi-auto shotgun on Earth that compares!

    • Years ago, I wrote up a comment about why I considered JMB the greatest gun designer who ever lived – hands down. One of the points I made about JMB and his design ideas was that he would recycle ideas from one gun design into another. When JMB solved an issue in gun design, he refined that idea until it became what modern software designers call a “pattern.” It was an idea that JMB could plop down into a design to solve the same type of problem on a wholly different gun.

      The Auto 5 was the first time the long recoil action was used by JMB (of which I’m aware), but it wasn’t the last. The same idea was then re-purposed on the M2 .50 Browning machine gun. That’s just one example of how JMB was such a great firearms designer. He recognized that every gun has to load, fire, extract, eject. Every gun has to do these four things. Once he had ideas on how to solve one of these four problems in one gun, you’d often see the same idea show up on another, later, gun design.

      • And he did it all with little more than a pencil and a basic workshop. No CAD/CAM, no FEA, no CNC. I would love to have a crystal ball that would allow me to watch how his mind worked – it would have to be fascinating.


Please enter your comment!
Please enter your name here