NRA Dethroned as Top Gun Lobby in DC

Long a bane of anti-gun politicians, Democrats (typically one and the same) and the mainstream media, the National Rifle Association (NRA) has been often blamed as well as credited, depending on which side of the issue a person falls on, with effectively stopping much of the legislation in Congress that would whittle away citizensā€™ Second … Read more

Is the NRA Relevant?

My recent stories for TTAG about the National Rifle Association’s PR problems have hit something of a nerve. More specifically, members are up in arms about the NRA’sĀ flirtation with Democratic House leader Harry Reid (links here and here). The palaver over theĀ NRA’s “carve out” on the campaign finance DISCLOSE Act has also done little to please the [formerly] NRA faithful. We’re getting a lot of feedback indicating that NRA members’ backs are getting heavy with straw. Is this a sign of big troubles ahead, or just a couple of “flyers” that are entirely besides the point? First, a few bullet points worth considering . . .

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The Yin and Yang of Gun Rights/Gun Control

I’m a movie fan. I love off-beat films, films that pay tribute to older films, films that make me laugh out loud. But I especially like films that make me stop and think. Years ago, I saw a couple of flicks like that. One was called Matinee, with John Goodman as a schlock movie producer, trying to promote a cheesy horror film in the midst of the Cuban Missile Crisis. It seemed that most people had a little too much on their minds to appreciate the finer points of rubber monster costumes, fake blood and the like. So Goodman’s character dreams up a scheme to get the town interested. He goes big with his ads and gimmicks, including installing trick seats in the theater, a nurse and ambulance stationed to help anyone that faints from the excitement of the film, and so on. But his best trick comes when concerned parents stage a protest before the film even opens. The crowd is whipped up to a frenzy, when Goodman challenges one or two of the townsfolk to screen his film before they condemn it. But it turns out the entire protest is a sham – the rabble-rousers actually work for Goodman (and don’t even hail from the town in question). It’s a trick to stir up interest in the film. He creates controversy by creating a conflict where there was none.

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